Bring any size of soprano, alto, tenor, or bass recorder that you have. You will have a chance to explore more than one part of each piece. Both plastic and wooden instruments are welcome. Pitch is A=440.
Please bring a music stand. We recommend that you bring a stand light to supplement the ceiling light.
More info: https://www.nyrg.org/
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The Church of Saint Mary the Virgin at 145 West 46th Street, between Sixth and Seventh Avenues in Manhattan. Meetings are held in St. Joseph’s Hall, a side chapel of St. Mary's. Located in a brick building to the left of the main church, the entranceway is distinguished by the street number 145 displayed on the door.
1:30-3:30 PM. Doors open at 1PM.
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Meeting Fees:
$20 per meeting for members
$30 per meeting for non-members
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FULL SEASON PREPAYMENT OPTION: $180. Includes annual membership dues and meeting fees for the entire 2025-26 season.
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Send payment using Zelle to NYRG treasurer Judith Wink at jwink@nyc.rr.com. Please put your email address in the Notes field. Alternatively, send checks to New York Recorder Guild, 145 West 93rd Street, Apt. 2, New York, NY 10025.
Have you been bored or confused by music theory? Feel like you’re missing something but don’t know what it is? Music theory isn’t an arcane dark art; it’s just the systems and vocabulary we use to describe and identify the patterns and relationships in the music we play. A few theory basics can help you sight read better, learn pieces faster, and communicate with your colleagues more efficiently. In this session we’ll demystify this frequently intimidating topic and get you going on the path toward theory literacy!
Open to all levels and all instrument sizes but reading treble clef is recommended.
September 30, October 7, 14, and 21
1:15 pm- 2:30 pm PT/2:15 pm – 3:30 pm MT/3:15 pm – 4:30 pm CT/4:15 pm – 5:30 pm ET (note the 15 minute earlier time than usual!)
In this 4-session class we'll start each session on a technique warm-up, then each week we’ll work on sections of a new piece, making a brief survey of repertoire for the recorder player. We’ll focus on effective practice methods for all pieces. For intermediate and up alto and soprano (or tenor) recorder players. Pitch: a=440.
Repertoire - Medieval: dance tune La Quarta Estampie Royal, 16th century: diminutions on Anchor che col partire by Bassano, 17th century: sonata by Frescobaldi, 18th century: Handel Sonata in F major.
$100 for all three classes. Classes will be recorded and available to stream for one month. To learn how to register, please write to Tish at tishberlin@sbcglobal.net. Music will be sent as PDFs one week before first class.
While beloved in the Renaissance as a solo instrument, the lute was often employed by the finest lutenists to double their pleasure in duets. Trading passages back and forth, the dueling lutenists would challenge each other with increasingly dazzling feats of virtuosity. Two of today’s finest lutenists, Ronn McFarlane and Paul O’Dette, take up this thrilling tradition in a duo recital showcasing works from Italy and England where the lute duet achieved its greatest heights. These sought-after lutenists, both Grammy nominees or their solo recordings, come together for a program of lyrically beautiful and intricately ornamented music by Terzi, Galilei, Piccinini, Johnson, Danyel, and others.
The workshop will explore tunes from our “Scottish Fiddle Tunes for Two." This curated collection contains 42 traditional Scottish tunes arranged for two players.
The Workshops will be on Tuesday, October 14, 7 PM, Central Time, Wednesday, October 15, 10 AM, Central Time, and Friday, October 17, 7 PM, Central Time. Different tunes will be played at each session. We will read, play, and discuss various survival skills for these tunes.
September 30, October 7, 14, and 21
1:15 pm- 2:30 pm PT/2:15 pm – 3:30 pm MT/3:15 pm – 4:30 pm CT/4:15 pm – 5:30 pm ET (note the 15 minute earlier time than usual!)
In this 4-session class we'll start each session on a technique warm-up, then each week we’ll work on sections of a new piece, making a brief survey of repertoire for the recorder player. We’ll focus on effective practice methods for all pieces. For intermediate and up alto and soprano (or tenor) recorder players. Pitch: a=440.
Repertoire - Medieval: dance tune La Quarta Estampie Royal, 16th century: diminutions on Anchor che col partire by Bassano, 17th century: sonata by Frescobaldi, 18th century: Handel Sonata in F major.
$100 for all three classes. Classes will be recorded and available to stream for one month. To learn how to register, please write to Tish at tishberlin@sbcglobal.net. Music will be sent as PDFs one week before first class.
The workshop will explore tunes from our “Scottish Fiddle Tunes for Two." This curated collection contains 42 traditional Scottish tunes arranged for two players.
The Workshops will be on Tuesday, October 14, 7 PM, Central Time, Wednesday, October 15, 10 AM, Central Time, and Friday, October 17, 7 PM, Central Time. Different tunes will be played at each session. We will read, play, and discuss various survival skills for these tunes.
The workshop will explore tunes from our “Scottish Fiddle Tunes for Two." This curated collection contains 42 traditional Scottish tunes arranged for two players.
The Workshops will be on Tuesday, October 14, 7 PM, Central Time, Wednesday, October 15, 10 AM, Central Time, and Friday, October 17, 7 PM, Central Time. Different tunes will be played at each session. We will read, play, and discuss various survival skills for these tunes.
To add an agenda item, please email Administrative Director Susan Burns at director@americanrecorder.org.
Sign up to receive a link to attend the ARS Annual Meeting, held this year via Zoom, on Saturday, October 18, 2024, at 3:00 p.m. EDT. You will receive a link to the Zoom meeting, both in your confirmation email and in a reminder email closer to the event.
September 30, October 7, 14, and 21
1:15 pm- 2:30 pm PT/2:15 pm – 3:30 pm MT/3:15 pm – 4:30 pm CT/4:15 pm – 5:30 pm ET (note the 15 minute earlier time than usual!)
In this 4-session class we'll start each session on a technique warm-up, then each week we’ll work on sections of a new piece, making a brief survey of repertoire for the recorder player. We’ll focus on effective practice methods for all pieces. For intermediate and up alto and soprano (or tenor) recorder players. Pitch: a=440.
Repertoire - Medieval: dance tune La Quarta Estampie Royal, 16th century: diminutions on Anchor che col partire by Bassano, 17th century: sonata by Frescobaldi, 18th century: Handel Sonata in F major.
$100 for all three classes. Classes will be recorded and available to stream for one month. To learn how to register, please write to Tish at tishberlin@sbcglobal.net. Music will be sent as PDFs one week before first class.
From an earthy medieval estampie, to an energetic 17th century English country dance tune, an elegant Baroque Sarabande, a fiery Italian Tarantella, and possibly even a 20th century pop song - our NAVRS October playing meeting is all about sampling dance music throughout the ages!
Enhance your technique and ensemble playing during an intensive workshop with directors Letitia Berlin & Lawrence Lipnik, plus other stellar faculty. Two fabulous weeks - choose either week or both! Week# 1 October 26 - November 1, 2025. Week #2 November 2 - 8, 2025.
Revel in the lyrical sounds of the recorder, viola da gamba, harpsichord, dulcian & shawm as you share your musical gifts during a week-long intensive early music workshop. Enhance your skills in small classes taught by expert instructors with emphasis on improving technique and playing with ensembles. At Hidden Valley Music Seminars, An Institute of the Arts, nestled amongst oak and buckeye trees below majestic hillsides, enjoy a serene and inspiring place for playing music in the world famous Monterey/Carmel area.
Technique classes geared toward application of technique, practice to the repertoire – making music out of notes! Master class and consort classes. The 2025 theme is currently TBD and will be announced once available.
The Medieval Mondays Fall Edition 2025 runs from September to December in four sessions.
Each class will focus on a particular medieval topic, composer, or musical source. A brief overview of the historical context is followed by a selection of music to discover and play together. Scores will be available for registered participants a week ahead of each class. Play-along files will be created on recorders.
Medieval Mondays will take place on zoom on the following dates, always from 12:30-2pm Eastern:
- September 8: Medieval Rounds and Grounds
- October 27: Medieval Bestiary
- November 17: La Spagna
- December 15: Early 15th century English Carols
Each class will focus on a particular medieval topic, composer, or musical source. A brief overview of the historical context is followed by a selection of music to discover and play together. Scores will be available for registered participants a week ahead of each class. Play-along files will be created on recorders.
Medieval Mondays will take place on zoom on the following dates, always from 12:30-2pm Eastern:
--September 8: Medieval rounds and grounds
--October 27: Medieval Bestiary
--November 17: La Spagna
--December 15: Early 15th century English Carols
Each Zoom meeting will be recorded and will stay viewable on demand until one full month after the final session of the series. Come join in on this musical time-travel on Mondays from 12:30 pm - 2:00 pm Eastern time. The course fee of $80 includes all 4 live sessions and the recordings.