We will explore a potpourri of renaissance ensemble music, all based on the popular "The Leaves be Green" melody. For each of these sessions, Karen will lead us in effective warm-ups, strategies to deal with the challenging rhythms of renaissance music, and solid ensemble interpretation of scores by Henry Stoner, Clement Woodcock, and William Byrd.
In this course, you’ll learn to discern note relationships, recognize patterns, and understand cadences, all while building skills in improvisation and phrasing. Starting with simple children’s songs and advancing to pieces by Bach and Mozart, you’ll train your ear to "hear" the music in your head, making you a more versatile and intuitive recorder player. Join me to discover the freedom of playing by ear!
For a full course description and to register, click here.
The Three Ravens is an old English folk ballad first published in 1611 in the songbook Melismata, compiled by Thomas Ravenscroft. However, the song is believed to have much older origins. The ballad introduces three scavenger birds conversing about where and what they should eat. One tells the others of a newly slain knight in sight, from which they might make a meal, but they find he is guarded by his loyal hawks and hounds.
Near the end, we are told of an approaching "fallow doe," a metaphor for the knight's pregnant lover, who comes to his body, kisses his wounds, bears him away, and buries him, leaving the ravens without a meal.
To hear this tale, and other haunting tunes, join us on October 6 for a special concert presentation at the Montclair Library.
The event is free but registration is requested:
https://montclairlibrary.libnet.info/event/11759285
We hope to see you there:
50 South Fullerton Ave, Montclair, 3:30-4:30, Sunday, October 6.
Accessible.
Artwork: "The Three Ravens" Edward Frederick Brewtnall (1846-1902)
Dates:
Tuesday, October 15, 6:15 p.m. EDT (5:15 p.m. CDT, 4:15 p.m. MDT, 3:15 p.m. PDT)
Thursday, October 17, 6:15 pm. EDT (5:15 p.m. CDT, 4:15 p.m. MDT, 3:15 p.m. PDT)
Tuesday, October 22, 6:15 p.m. EDT (5:15 p.m. CDT, 4:15 p.m. MDT, 3:15 p.m. PDT)
Thursday, October 24, 6:15 p.m. EDT (5:15 p.m. CDT, 4:15 p.m. MDT, 3:15 p.m. PDT)
For this course, you will need the Sweet Pipes Recorder Book and an alto recorder. If you don’t already have a recorder, Tish recommends the Yamaha plastic alto (any of the 300 series: YRS-302B, YRA-322B, etc). If you have an older recorder please make sure it uses English (Baroque) fingering, not German. If the 4th hole on the top of the recorder is larger than the 5th hole, you have a German recorder. We will be using English (Baroque) fingering so it will be easier for you if you have a recorder with that fingering. Consider purchasing your book and recorder from one of our business partners (below), and please allow ample time for mail delivery! If you have purchased the Sweet Pipes Recorder book online but are concerned that you may not receive it in time for your first class, we can provide you with a "temporary" copy for download. Instructions will be in your emailed registration confirmation notice.
Von Huene Workshop (The Early Music Shop of New England)
Yamaha "Rottenburgh" alto recorder
https://www.vonhuene.com/p-115-yamaha-rottenburgh-plastic-alto.aspx
Aulos "Haka" alto recorder
https://www.vonhuene.com/p-126-aulos-plastic-haka-alto.aspx
Zen-on "Bressan" alto recorder
https://www.vonhuene.com/p-6331-zen-on-g1-a-440-bressan-alto-recorder.aspx
Sweet Pipes Recorder Book
https://www.vonhuene.com/p-3689-burakoff-gerald-hettrick-sweet-pipes-recorder-book-book-1-adults-and-older-beginners.aspx
Honeysuckle Music
Alto recorders
https://honeysucklemusic.com/show3.php?cat=Alto
Sweet Pipes Recorder Book
https://honeysucklemusic.com/showf.php?item=5289
Lazar's Early Music
Yamaha "Rottenburgh" alto recorder
https://lazarsearlymusic.com/collections/recorders/products/yamaha-abs-resin-recorder-alto?variant=29092748591186
Recorderforge.com
Alto recorders
https://recorderforge.com/Recorders/F-alto-treble-recorders/
Information for ordering the method book: The Sweet Pipes Recorder Book: A method for adults and older beginners by Gerald Burakoff and William E. Hettrick. Alto, Book One. SP02318.
The 38 classical and traditional fiddling tunes in this collection are organized in the order of the festivities at a traditional wedding. This comes in handy when selecting songs with the bride-to-be, and when it’s time to play. Helpful hints to help ease your way are scattered throughout the book.
The Workshops will be on Tuesday, October 15, 7 PM, Central Time, Wednesday, October 16, 10 AM, Central Time, and Friday, October 18, 7 PM, Central Time.
Different tunes will be played at each session.
We will read, play, and discuss various survival skills for these charming pieces. A treble clef version of the sheet music for the tunes being played will be displayed on the screen during the workshop.
There is limited enrollment, and pre-registration is required. The cost for each workshop is $10.00.
The cost of each optional book is $15.00 (includes shipping if ordered with workshop registration). To read reviews of the Wedding Fiddling Tunes for Two collection, click on the following link:
https://www.greenblattandseay.com/book_42_wedding.shtml
For more information, and to register for the workshop:
https://www.greenblattandseay.com/workshops_wedding.shtml
Our next meeting will be Saturday, October 19, 2024 (Playing session in person and on Zoom). Please sign in at 9:45 and set up so that play can begin promptly at 10:00 AM. We play at Cathedral Village. Visitors are welcome. The Zoom meeting will open at 9:30 AM and we'll start playing at 10 AM. Members will receive a Zoom link via email, usually one day before we meet.
Information for October 19, 2024:
Fall Colors
Amboss Polka (1864/2024), Albert Parlow (1824-1888), arr. John Kraybill, Sn/S/A/T/B/GB
Fughetta (1972), Frank Shirley, S/A/B
Quand la Mer Rough Apparut - through the ages (2023), Helen-Jean Talbott, S/A/T/B/GB/Cb
My Lord, What A Morning (2024), Traditional Spiritual, arr. Joe Powell, S/A/T/B
Down by the Salley Garden (2024), Traditional Irish, arr. Richard Senerchia, S/A/T/B & Viola/Guitar
Ashokan Farewell (1982/2024), Jay Unger, arr. Richard Senerchia, S/A/T/B & Viola/Guitar
Poinciana Rag (1995), Laurie G. Alberts, S/A/T/B
To add an agenda item, email Administrative Director Susan Burns at director@americanrecorder.org.
Sign up to receive a link to attend the ARS Annual Meeting, held this year via Zoom, on Saturday, October 19, 2024, at 3:00 p.m. EDT. You will receive a link to the Zoom meeting, both in your confirmation email and in a reminder email a few days in advance.
When asked for your email address, be sure to use the email address associated with your ARS member record (where ARS membership renewal invoices are sent).
You might have heard the phrase “Practice your scales” with the same tone of voice as “Eat your spinach” - it’s (supposedly) good for you! But what exactly are scales, and how can we use them to our advantage in becoming better musicians? This workshop will offer a mix of theory and practice: we will go over the theoretical building blocks for musical scales, what different types of scales exist, and how they relate to each other. We will also practice some of these different ascending and descending patterns and find ways to work with changes of articulation and tempo for increased dexterity and ever-smoother technique. Be prepared to switch between C- and F-instruments for a full-scale workout! (Equally open to players who play only one or the other!)
Voices of Music opens our 2024-24 season in October with Seicento: Italian music of the 17th century, a delightful program highlighting women composers and poets of the time, with music by Isabelle Leonarda, Francesca and Giulio Caccini, Allesandro Scarlatti, Barbara Strozzi, and others.
The program features soloists Sherezade Panthaki, soprano; Isabelle Seula Lee and Manami Mizumoto, baroque violins; William Skeen, baroque cello; Hanneke van Proosdij, recorder and harpsichord, David Tayler, archlute and baroque guitar.
Locations (all in the San Francisco Bay Area):
Friday, October 25th, 2024, 7pm
First Palo Alto United Methodist Church
625 Hamilton Ave
Palo Alto, CA 94301
https://firstpaloalto.com/getting-here/
Saturday, October 26th, 2024, 7:30pm
First Church Berkeley UCC
2330 Durant Ave. (pedestrian and wheelchair entrance on Dana St)
Berkeley, CA 94704
https://www.firstchurchberkeley.org/directions/
Sunday, October 27th, 2024, 7pm
San Francisco Conservatory of Music
Caroline Hume Concert Hall
50 Oak Street, San Francisco, CA 94102
http://tiny.cc/SFCM-getting-here
Live performances by Voices of Music deliver the highest-quality music, blending innovation, originality, and passion to introduce diverse audiences to the world of early classical music. For more information, go to VoicesOfMusic.ORG
October 26-27, 2024
Ella Baker School New York, NY
Directed by
Valerie Horst and Wendy Powers
Faculty:
Valerie Horst (Recorder)
Rachel Begley (Recorder)
Deborah Booth (Recorder & Flute)
Eric Haas (Recorder & Flute)
Susan Iadone (Recorder)
Wendy Powers (Recorder & Early Notation)
Sian Ricketts (Recorder)
Nina Stern (Recorder)
Tuition:
$ 230
Work Study Tuition:
$ 115
Registration opens soon!
❦ Four class sessions on Saturday, and three on Sunday
❦ Spacious and well lighted classrooms
❦ The Von Huene Shop will be on hand with a great collection of music, instruments, accessories
❦ Some classes for large instruments
❦ Persian group dinner at Persepolis Restaurant Saturday evening (optional, not included with tuition)
The Ella Baker School is at 317 East 67th Street in Manhattan, between First and Second Avenues, on the third floor within the Julia Richman Education Complex.
CityRecorder! 2024 Class Topics
❦ A Rich Fantasy Life; Music of Jakob Obrecht ❦ French Suites ❦ Eternal Telemann ❦ Early Black composers (Vicente Lusitano and Joseph Bologne, Chevalier de St.-George) ❦ the Birth of the Madrigal ❦ Iconic Benjamin Britten ❦ Guillaume de Machaut ❦ Music of Spring (yes, Spring!)
Covid Policy: Participants will be required to test on the Friday and Saturday before attending.
A workshop dedicated to recorder players!
Directed by Valerie Horst and Wendy Powers
Faculty: Valerie Horst, Rachel Begley, Deborah Booth, Eric Haas, Sussan Hellauer, Susan Iadone, Wendy Powers, Sian Ricketts, and Nina Stern.❦ Four class sessions on Saturday, and three on Sunday
❦ Spacious and well lighted classrooms
❦ The Von Huene Shop will be on hand with a great collection of music, instruments, accessories
❦ Some classes for large instruments
❦ Persian group dinner at Persepolis Restaurant Saturday evening (optional, not included with tuition)
Share your musical gifts during a week-long intensive early music workshop. Enhance your skills in small classes each day taught by expert instructors with emphasis on improving technique and playing with ensembles – master classes and consort classes. The workshop includes four daily classes, morning exercise/stretches, impromptu group playing, and a daily happy hour. Wednesday includes a free afternoon to explore the beautiful Monterey area, play music, or just relax! There is a faculty concert and at the end of the week participants perform in an orchestra ensemble, then celebrate the last evening with an open mic party.
The workshop 2024 theme is Continental Connections: Exploring the relationships between native composers and émigrés in Italy and Germany from 1300 – 1750 and beyond. Musicians often traveled far from home, going where the work called them. European courts vied for the best composers, singers, and instrumentalists, luring them with competing salaries and prestigious positions. The result? A rich blend of Franco-Flemish with Italian styles, and English and Italian influences on German genres. This year we’ll explore the distinct styles of these countries and the gorgeous new sounds created by contact with “foreign” composers and colleagues.
The workshop takes place at the Hidden Valley Music Seminars, An Institute of the Arts in Carmel Valley, California, nestled amongst oak and buckeye trees below majestic hillsides. Along with our rich opportunities for music making, bird watching, walking, and many other local activities can be enjoyed nearby.
This program is for intermediate to advanced recorder and viola da gamba players. Recorder players must be able to play at least two sizes (at least one F instrument and one C instrument).
Registration Deadline: All Road Scholar programs close enrollment 35 days before they start. This means that you MUST register for the Early Music Workshop week #1 through Road Scholar by Saturday September 21st. Road Scholar does not offer any exceptions to this rule.
Dates:
Monday, October 28th at 8PM ET (7PM CT, 6PM MT, 5PM PT)
Monday, November 4th at 8PM ET (7PM CT, 6PM MT, 5PM PT)
Monday, November 11th at 8PM ET (7PM CT, 6PM MT, 5PM PT)
Monday, November 18th at 8PM ET (7PM CT, 6PM MT, 5PM PT)
Do you need to purchase an instrument? You cannot go wrong with a good plastic recorder—they can actually sound better than a poor wooden one! Yamaha and Aulos make very good plastic sopranos. For tenors: Yamaha provides an exceptional tone, while Aulos is lighter-weight with a smaller reach. Consider purchasing an instrument from one of our business partners:
Honeysuckle Music: 651-644-8545
Von Huene Workshop (The Early Music Shop of New England): (617) 277-8690
Lazar’s Early Music: (770) 366-8596
Recorder Forge: (503) 206-6212
Yamaha “Rottenburgh” and Aulos “Haka”plastic sopranos:
https://www.recorderforge.com/Shop-by-brand/Aulos/?order=name-asc&p=1&properties=178283053f904129bb4aa8e3e9bd9fd8
http://www.honeysucklemusic.com/show3.php?cat=Soprano
https://www.vonhuene.com/p-114-yamaha-rottenburgh-plastic-soprano.aspx
https://www.vonhuene.com/p-125-aulos-plastic-haka-soprano.aspx
https://lazarsearlymusic.com/collections/beginners-collection?constraint=soprano
Yamaha and Aulos plastic tenors:
https://www.recorderforge.com/Yamaha-Tenor-in-c-baroque-double-hole-with-double-key-plastic/YRT-304BII-YAM
http://www.honeysucklemusic.com/show3.php?cat=Tenor
https://www.vonhuene.com/p-116-yamaha-rottenburgh-plastic-tenor.aspx
https://lazarsearlymusic.com/collections/beginners-collection/products/yamaha-abs-resin-recorder-tenor?variant=38071881367749
Don't worry about taking notes -- everyone will get a handout to keep. The workshop lasts 90 minutes, so we'll go at a relaxed pace and have plenty of time for your questions. You won't need to do anything to your devices during the session, so there's no stress involved.