A stately 4-part dance for SATB* with a hint of brooding solemnity. Much of the music is homophonic, with all parts moving together, ornamented with a bit of faster activity in the inner parts. Each part can be its own melody, with stepwise motion that is also singable, if one were to invent lyrics. The composer suggests legato tonguing but encourages the players to go with their own musical instincts, adding just a couple suggested breath marks for phrasing and designating the ending to be set apart from the rest by a slight break.
 
*The orchestration can be varied, not necessarily SATB — the Soprano part sits low in the range, except for one high F, so it fits nicely on an Alto reading up the octave;  The Alto part fits on Tenor, but beware of a couple high C’s; likewise, the Tenor part fits on a Bass, with one high E.