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In two transcriptions: S A T and A T B

This fantasia works well in either the higher or lower transcription. The two cannot be mixed; they are in different keys and ranges.

Written for three viols, this work sounds marvelous for either high or the low trio. Byrd’s use of imitation combines with continuous linear development and builds interest throughout the work. Notice what happens to the seemingly dull motive that turns in on itself starting at letter A; it gradually blooms and evolves.

Difficulty: Intermediate and above.