“Fanfare: returning” was inspired by Renaissance horn fanfares. In looking through my recorder music, I realized that there was not a ton of music that dealt with themes in the same way that “fanfares” do: the passing around of melodic and rhythmic motifs between voices in an almost bell-like manner. I thought mixing more modern harmonic sounds with the ringing of the bells in a fanfare might be a nice way of celebrating Play the Recorder Month. Of course, since playing music in any ensemble was risky during the pandemic, a return to being able to do so was and will be something to celebrate. I wanted also to write a piece of music that had structural use in a concert setting as well- a short piece to call people back from intermission, or kick off the concert and let people get settled for what is to come. I hope this music satisfies all of those things, or is, at least, fun to play!
- Erik Pearson
Play-the-Recorder Month and Play-the-Recorder Day grew out of a one-day worldwide event on April 1, 1989, during the 50th anniversary year of the American Recorder Society. Its success caused the ARS to declare an annual celebration starting with Play-the-Recorder Day on March 28, 1992. The single day was later expanded to monthlong activities plus a focus on one day, which have been observed each March since then.
This special music commissioned for Play-the-Recorder Month 2022 is published as a Supplement to the Winter 2021 American Recorder for the members of the American Recorder Society.
This Play-the-Recorder Month Composition is made possible by a generous donation from Eiji Miki. “I started playing recorders at the College of Engineering of the University of Michigan in 1960. I joined the Ann Arbor chapter of the American Recorder Society, and have been a member since then. So, I feel indebted to ARS for its advocacy for recorder playing all over the country. My sponsorship of a new composition for the recorder is my way of paying forward. I hope many future recorder players will enjoy the new compositions, in addition to medieval, Renaissance, and Baroque music.”
Play-along tracks (one part missing), slowed down: No soprano (you play soprano) No alto (you play alto) No tenor (you play tenor) No bass (you play bass)