The Fantasy on 'Schenectady' might recall the Americana style of composers like Aaron Copland or Virgil Thompson. In 1801, Nehemiah Shumway of Schenectady, New York published a shape-note fuguing tune that he named 'Schenectady.' It is in the primitive style best known in the work of William Billings. (The composer is, himself, a native of Schenectady.)
Possibly the greatest challenge in this quartet is achieving pure tuning in the bare octaves and fifths, as well as in the parallel octave passages. Triple-barred note stems indicate flutter tonguing. Tricky entries for the tenor are eased with cues above the staff. Duration: 6:20 Performed by Scott Paterson, soprano; Anthony St. Pierre, alto; Anne Massicotte, tenor; Janos Ungvary, bass.