‘Les Sauvages’ is perhaps one of Rameau’s best-known and memorable tunes. Inspired by indigenous North American dances presented at the court of Louis XV, this five-part rondeau appeared first in the G major/g minor harpsichord suite of 1728, and subsequently in ‘Les Indes galantes’ of 1735, where it is entitled ‘Danse du grand calumet de la paix’ (‘Dance of the Great Peace Pipe’).

In this somewhat anachronistic and fleshed out adaptation for STB recorders, each instrument takes a turn at the tune, which is often heavily ornamented. Although optional, percussion adds significant color. Tenor drum, field (military) drum, or tenor tom-tom are all effective possibilities. For dynamic balance, care should be exercised in the choice of beaters. A tambourine might also be used to good effect — a good option where a recorder player must be co-opted for the part.

This score is suitable for those with experience playing French baroque music. Triple and double tonguing are required in the soprano (bb. 54 & 82). Duration: 2:20

The ARS libraries offer several other Rameau adaptations for various recorder trios.
From Rameau's Pièces de clavecin en concert:  Loure, Rondeau vif, Rondeau gracieux, Tambourin, and Air gracieux
Sonatine Le Vézinet